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Chen Zhongshan sent his letter to Lu Xun despite attempts by his fellow-Trotskyist Zhao Ji 赵济 to dissuade him from acting without authority, and consequently he brought his comrades’ wrath down upon his head. Chen Duxiu accused him of getting ‘illusions’ in Lu Xun, whom Chen Duxiu described in private correspondence as ‘the Reds’ old dog’. In a second letter to Lu Xun, Chen Zhongshan criticised the reply for failing to reply his level concerning the united entrance and for impugning the Trotskyists’ integrity. In a statement, the Trotskyists dismissed the slanders as ‘one slender thread floating in a great torrent of venom’. have tried exhausting to undermine Chen Zhongshan’s patriotic credentials.
It is true that Lu Xun took his distance from Trotsky, however he did so in rejection of the cult of Trotsky the hero, the obverse of the Stalin cult. That his position on so many questions, literary and political, was near those of Trotsky and the Trotskyists made drawing a clear line doubly imperative.
https://toymenu40.wordpress.com (four–5) Literature is, ultimately, the product of a lot, not of the struggle in opposition to scarcity. Revolutionary writers might goal to help the weak and the poor, but they can't change actuality – that's the work of armed revolutionaries.
Despite all of the proof against it, the reply was, for decades, printed along with Chen Zhongshan’s letter at school textbooks, thus associating Trotskyism with treachery within the minds of generations of Chinese children. Nagahori concludes, not with out purpose, that only Chen Zhongshan’s letter has stood the take a look at of time, whereas the reply has been thoroughly discredited. It is now identified past dispute that the reply to Chen Zhongshan was written not by Lu Xun himself but by Feng Xuefeng, his amanuensis.
According to Tang, Chen Zhongshan actually worked in Shanghai as a Guomindang spy, a role he inherited from his elder brother, when the latter left Shanghai for Chongqing (the Guomindang’s wartime capital) firstly of the Sino-Japanese War. Subsequently, Chen Zhongshan allegedly sent financial and political intelligence to the Nationalist authorities in Chongqing, as well as army intelligence in regards to the Communists’ New Fourth Army, which was lively in the countryside round Shanghai. Nagahori offers with these charges at length and rebuts Tang Baolin’s claims, which had been primarily based on depositions given beneath duress by Trotskyists gaoled beneath the Communists after 1949. Nagahori exhibits, on the basis of writings by Chen Zhongshan’s eldest son Chen Daotong and other supplies, that Chen Zhongshan’s brother, Chen Qilun, had never belonged to the Guomindang or another party. As incontrovertible proof of this, he notes that Chen Qilun ‘handed the test’ after 1949, when he was interrogated by the Communists in the course of the movements to suppress and purge ‘counter-revolutionaries’.
Where did Mao get the concept creative writing should be topic to Party spirit? Between 1926 and May 1942, Lenin’s essay was published five occasions in Chinese translation, and on all however one event Литература was rendered as wenxue. Nagahori guesses that Mao used the fifth translation as his supply, for it appeared in Liberation Daily on May 14, 9 days before Mao cited the essay in his concluding Talk. What was beforehand a stain on the Chinese Trotskyists has now turn into a stain on Lu Xun – in a word, the roles are actually reversed, and Lu Xun is the one in want of rescue.